STASH { July 2008 }
Stash is a monthly DVD magazine that showcases the best in motion design. The Control Master, a film by Veer and Run Wrake, is featured in this issue.
Inside Direct Mail { July 2008 }
Inside Direct Mail is a monthly publication for the direct mail industry. Veer’s Very Secret Order of Creative’s Understanding handbook is featured as a “mailing of the month”.
Computer Arts { July 2008 }
The Control Master, a film by Veer and Run Wrake, featuring CSA Images is featured in the UK’s biggest source for digital designers.
PAGE – Germany { July 2008 }
PAGE is Germany’s magazine for design ideas and inspiration. Veer’s Comalle font is featured in the special section on typography.
Calgary Inc { July/August 2008 }
Veer re-qualified as one of Calgary Inc’s Best Places to Work.
The Calgary Herald Tips to become employer of choice { June 14, 2008 }
Veer is featured in this article about how to attract and retain employees in the Calgary marketplace.
The Calgary Herald Calgary earns its place among typographical giants { June 13, 2008 }
Veer’s Calgary Script by Alejandro Paul is featured in this article.
Graphic Design USA { March 2008 }
“Veer is featured as one of the Spring Top Stock Sites to See.”
Design Edge Magazine { September/October 2007 }
“Students coming out of school have new ideas and they believe anything is possible.”
Design Edge Magazine { September/October 2007 }
“See the results of Design Edge Canada’s first stock image survey.”
Applied Arts Magazine { October 2007 }
“It would be great to hang out with the gang at Veer, who really seem to know what the creative mind wants.”
Calgary Inc { July 2007 }
“If Veer were a boyfriend, it would be the kind that sends flowers for no reason, opens your car door, and gives back rubs.”
Photo District News { June 2007 }
“Take a look at the global market for photography with best selling stock images from agencies around the world.”
Graphic Design USA { May 2007 }
“We place the spotlight on 20 specialty collections that promise the engaged art buyer a truly intriguing, thought-provoking and visual alternative.”
Swerve { May 2007 }
“Veer.com has been giving me all sorts of useful ideas lately, especially its Ideas section.”
The Globe and Mail { April 2007 }
“A whole movie about a typeface? Yes, and this doc has plenty to say about the font.”
Graphic Design USA { March 2007 }
“Always at the creative cutting edge, Veer offers rights managed and royalty free collections, an extensive body of illustrations and motion clips, and intriguing type collections.”
Calgary Herald { March 2007 }
“Veer’s t-shirts with words such as kern, baseline, font savant printed on them have become big sellers.”
Calgary Inc { January 2007 }
“Calgary Inc tapped recruiters and employers in Calgary’s key industries to share first-hand tips for what works and what doesn’t to hook needed workers.”
Applied Arts { December 2006 }
“Needs is a stunning catalogue designed to exhibit Veer’s selection of royalty-free and rights-managed photography.”
Photo District News { November 2006 }
“Stock agencies unearth their surprising best sellers from the past 12 months.”
Communication Arts { November 2006 }
“Veer has just released a collection of images called Somos Hispanic Images, designed to capture the lifestyle of today’s Hispanic demographic. Somos, which means ‘we are’ in Spanish, portrays the subjects and faces across the range of Latino culture, from business to romance.”
“Veer offers images that are a little more ‘quirky,’ a better fit for our clients and ourselves.”
Communication Arts { October 2006 }
“These folks know their audience, visual designers who want something stylish and need it fast. But they don’t stop there.”
Design Edge Canada { October 2006 }
“Anytime you have an opportunity to put one more little bit of personality in front of your customes or visitors, it sets you apart from all the other sites out there in the ether.”
Calgary Herald { October 2006 }
“Veer made the list of top 100 employers [in Canada] for the first time this year.”
Maclean’s { October 2006 }
“Veer, a visual image seller in Calgary: bring your kids to work in a daycare emergency; quarterly contest sends an employee for a week of working and living in Berlin.”
Calgary Inc { June 2006 }
“The walls, tables, desks, and computer screens are packed with striking, colorful images - high-heeled shoes, an old woman’s weathered, wrinkled face and high-tech graphic art.”
How { June 2006 }
“Good weather isn’t the only thing creatives can look forward to this summer. Veer will once again produce its popular summer activity book.”
How { February 2006 }
“Looking for images that capture teenagers in their natural habitat? Veer’s ‘Teens at the Mall’ stock collection features shopping-focused photos that show teens debating which shoes to buy, trying on makeup, checking out vintage vinyl, and yapping on cell phones.”
Applied Arts { February 2006 }
“Veer’s Image Showcase books and merch products are three time winners in the annual Applied Arts Design & Advertising Awards.”
Print { January 2006 }
“From foundry Veer comes a zip-up jacket that’ll either tell the world you’re a very clever graphic designer, or force you to explain to the world what kerning is.”
Graphic Design USA { December 2005 }
“Veer’s Image Showcase #1 is included in GD USA’s American Graphic Design Awards.”
Electronic Publishing { December 2005 }
“Veer produces activity books that were challenging to print, yet are hard to put down.”
How { December 2005 }
“Veer’s Image Showcase #1 is prominently featured as one of How magazine’s Perfect Ten Award winners.”
How { October 2005 }
“Three marketing pieces by Veer’s in-house creative studio are featured in How magazine’s annual self-promotion awards.”
Communications Arts { August 2005 }
“Rian Hughes of the Device Foundry has been creating fonts since 1994, and to mark this milestone, he’s teamed up with Veer to release Device Fonts: Ten Year Itch (1995-2005).”
How { June 2005 }
“A new line of wearables celebrates the creative lifestyle, with graphic tees that overtly appeal to the designer’s insider status and love of typography.”
Macworld { April 2005 }
“Veer, a company that sells stock photography, illustration, and fonts, has introduced a line of casual clothes sure to appeal to designers and typographers.”
Graphic Design USA { March 2005 }
“Veer’s website, a true award-winner, presents the company’s collections of unique imagery, motion and typefaces in a visually appealing way that resonates with creatives.”
Create { February 2005 }
“Another trend that has remained immensely popular is the use of stock imagery to showcase ‘the satisfied customer’. ”
Applied Arts { February 2005 }
“The Veer weblog, known as The Skinny was a winner in the Digital Media category of the Applied Arts annual Design & Advertising awards.”
How { October 2004 }
“The magazine sponsors an annual self-promotion competition, which celebrates outstanding design in projects created to support a company’s own promotional efforts. All three winning pieces were created by Veer’s in-house creative studio.”
Big Idea { October 2004 }
“The staggering quantity of rights regulated images that Veer offers up hits in a kind of digital whirlwind - pages and pages on your average search and in a variety of styles.”
Graphic Exchange { Summer 2004 }
“Reflecting market demand, online font retailer Veer recently produced two type specimen booklets: one dedicated to scripts, and the other to New Fonts, including scripts.”
Picture { June 2004 }
“Veer acquires Solus Images. That was one of the big quotes of 2003. Veer itself was only launched in June 2002.”
How { June 2004 }
“Merge Old English handwriting and dot-matrix printing and you get Brea [...] part of Veer’s Umbrella package...”
Step Inside Design { April 2004 }
“Veer now offers the complete range of rights-managed stock images created by Charles S. Anderson Design Company...”
Graphic Design USA { March 2004 }
“The site is often lauded for presenting the company’s collections of unique imagery, motion and typefaces in a visually appealing way that relates with creatives.”
Digital Output { February 2004 }
“Each typeface in the [Umbrella] collection is chosen based on aesthetic relevance and technical quality, rather than a single stylistic approach.”
Graphic Design USA { February 2004 }
“Veer sources and delivers visual elements with imagination and style to help creatives diverge from the norm and generate fresh solutions.”
Applied Arts { February 2004 }
“The Veer web site was a winner in the Digital Media category of the Applied Arts annual Design & Advertising awards.”
How { December 2003 }
“To promote Veer’s offerings to the creative community, Vit scoured more than 200,000 images and 1,500 fonts...”
Macworld { December 2003 }
“Stock photography vendor Veer specializes in unusual imagery. The new royalty-free collections from PhotoAlto are excellent examples.”
Playback { December 2003 }
“While many stock footage houses provide producers raw material to shape as they see fit, Calgary’s Veer looks to offer a more all-inclusive product line.”
Applied Arts { November 2003 }
“Succeeding in the Getty-dominated universe involves coupling a wide range of offerings - to a contemporary, design-driven aesthetic.”
Graphic Design USA { August 2003 }
“The Jukebox collection, is heavily influenced by the whimsical and ingenious handlettering of the ’50s and ’60s.”
Step Inside Design { August 2003 }
“Got a panache for avant-garde? What about a fondness for polished art? Veer is the place to look.”
Picture { August 2003 }
“Veer’s design-driven approach offers creatives relevant, compelling imagery to fulfill their concepts. Veer shares their design sensibilities and aims to deliver a rich, inspiring experience.”
Creativity { May 2003 }
“As the name implies, this is a company that aims to zig while the competition zags.”
Shoot { April 2003 }
“Many stock suppliers are reporting an explosion in the need for stock, pointing to new venues that must be fed...”
Macworld { April 2003 }
“To travel off the beaten path, try a boutique stock-media agency such as Veer... they offer unique styles or specialized types of stock media.”
Graphic Exchange { April 2003 }
“Stock image company Veer has announced the addition of rights-managed photography to its library of royalty-free imagery, motion, and type.”
HowDesign.com { March 2003 }
“Need a stock photo? No problem. How about an illustration? Yup. A font, you say? Step right up. Broadcast-quality footage? We’ve got that, too. Like a department store for designers, Veer delivers a host of visual elements through its Web site and monthly catalogs.”
Catalog Age { December 2002 }
“Former marketing, product, and design team member from Getty Images, EyeWire, and Adobe Systems have gotten together to launch their own stock art business.”
Inside Direct Mail { November 2002 }
“We broke a very important rule here at Inside Direct Mail. We judged a book by its cover. We’re hoping we’ll be forgiven, given that the book is actually a catalog, and that we rated the catalog quite favorably, and were, of course, right on.”
Graphic Design USA { October 2002 }
“Veer is positioning itself with a focus on quality and originality, filtering out the mundane, predictable, and redundant, aiming for a more useful breadth and depth of imagery. Similarly, the company strives for originality in its catalog and web site.”
Seybold Reports { October 2002 }
“By developing a certain aesthetic and delivering superior customer service, the company aims to become a middle-tier player between the two ‘Goliaths’ (Getty and Corbis) and the hundreds of ‘Davids’ currently littering the stock photography market.”
Graphic Design USA { September 2002 }
“A stylish newcomer, Veer offers a complete range of Visual Elements for Creatives. Aptly named, Veer seeks a different perspective on stock: unlike collections based on sheer volume, Veer offers image, motion, and type aimed at those with more discerning tastes.”
Graphic Exchange { September 2002 }
“In these eight pages that begin the September issue of Veer’s Visual Elements catalog, stock photos frame a narrative love poem, fashioned from barely augmented keyword listing, giving a form to the metaculture that has the reflexive quality of modern art.”
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