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Type Update - August 2009
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Cynthia June by Jukebox

Cynthia June by Jukebox

Add elegance to your eloquence with formal penmanship, mid-19th century style. Cynthia June is a light, airy Spencerian script, based on hand-lettered samples from a 1938 Carlyle & Oring book. Includes an alternate set of flourished capitals, lowercase glyphs, and ligatures. A Veer Exclusive.

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Beauchef by Cabinet

Beauchef by Cabinet

A grotesque sans serif with scientific roots, Beauchef was originally designed for a thesis paper on advanced mathematics. Six weights provide readability for headlines, headings, and body copy alike. Small caps, fractions, and a range of numerals are included. A Veer Exclusive.

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Diplomatic Script by Umbrella

Diplomatic Script by Umbrella

Purposeful strokes, slender ascenders and descenders, and a simple calligraphic style. Diplomatic Script, from prolific duo Angel Koziupa and Alejandro Paul, has an understated charm that lends an air of casual sophistication. A Veer Exclusive.

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Theorem by Umbrella

Theorem by Umbrella

A collaboration between Angel Koziupa and Alejandro Paul, Theorem has hints of the calligraphic styles its designers are known for. A variety of alternates were drawn for most letters, with plenty of vowel-focused ligatures. Useful for packaging and display. A Veer Exclusive.

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Mostra Nuova by Umbrella

Mostra Nuova by Umbrella

Mark Simonson has revisited the bold, geometric style of 1930s Italian art deco, supplanting his estimable Mostra family with Mostra Nuova. A complete lowercase has been added to its six weights, which include all previous variants plus contextual and stylistic alternates.

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Jeeves by Red Rooster

Jeeves by Red Rooster

Beautifully letterspaced and formal without being snooty, Jeeves has a decidedly art deco flavor. Available in two weights with hundreds of OpenType alternates and ligatures in an easily navigable glyph palette. Plus double-, triple-, and even quadruple-linked character connections. Designed by Hal Taylor.

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Phaeton by Umbrella

Phaeton by Umbrella

It’s his first type creation, so illustrator and designer Kevin Cornell calls Phaeton his “Baptismal Font.” Randy Jones, designer of Olduvai, shares the credit for this gorgeous new family. Nearly 600 characters, including many ornaments, decorative banners, picto-glyphs, and swash capitals. A Veer Exclusive.

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Dolce by Umbrella

Dolce by Umbrella

A complete family, comprised of Elena Albertoni’s award-winning Dolce Thin and four new, heavier weights. Dolce has the appearance of natural, flowing handwriting, with a sense of spontaneity provided by OpenType alternates and ligatures.

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The Modern Suite by ShinnType

The Modern Suite by ShinnType

From a union of the type families Figgins Sans and Scotch Modern. The Modern Suite includes a wealth of features like swash capitals and an astounding range of numerals—lining, small cap, tabular, old-style figures, and superior and inferior.

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Oliva by Umbrella

Oliva by Umbrella

Inspired by Letraset’s Motter Ombra and Paul Renner’s Futura Black, Oliva also counts ’30s Bauhaus style and ’60s psychedelia among its stylistic influences. An OpenType font with ligatures, superscript numerals, and decorative ornaments and arrows. A Veer Exclusive.

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