A Veer Exclusive
Boasting more than 1,200 characters, Alejandro Paul’s Feel Script evokes the lilt of a bossa nova combo and the come-hither allure of a silver screen starlet. Endow your copy with its generous alternates, exquisite ligatures, and dreamy swashes.

A Veer Exclusive
Christian Robertson’s Doublewide has an elasticity that lends itself to display type as well as callouts and subheads. Tracked narrow or wide, set bold or light, Doublewide’s eight emphatic faces command attention.

Described as a baseball or sports script, Michael Doret’s Metroscript is much more than that. Chock full of OpenType features like multiple tail styles, swashes, and contextual ligatures, each word seems hand-lettered.

A Veer Exclusive
Crisp and refined, like a fine Swedish lager. Stefan Hattenbach based Brasserie on a handmade typeface he found in a book about a fabled Swedish brewery. Thick and thin strokes lend this caps face a distinctly European panache.

A Veer Exclusive
Based on an alphabet from a vintage lettering book, Anaheim Script renders the flow of mid-century hand-lettered signage. Painterly elegance is achieved through dashing strokes and a selection of alternate capitals.

A Veer Exclusive
An animated brush-lettered script, Jason Walcott’s Giggle Script seems to reel at its own playful nature. Quick, fluid strokes evoke the happy, hurried pitch of bygone advertising eras.

A Veer Exclusive
Type fans, start your engines. A modern distressed typeface, DF Charger sports metal-on-metal scrapes inspired by the race-ravaged bodies of stock cars. The upper and lower cases differ subtly for variable ruin. Another supercharged entry from Rian Hughes.